Gridthiya “Jeab” Gaweewong

Gridthiya “Jeab” Gaweewong

Artistic Director, Jim Thompson Art Center

Industry : The Arts

Gridthiya is one of Thailand’s most prominent art curators. She once taught English at a refugee camp in Phanat Nikhom, before pursuing her interest in the art field, graduating with a master’s in art administration from the School of the Art Institute of Chicago. In 1996 she co-founded Project 304, an alternative space for contemporary art, with the late Montien Boonma and Kamol Phaosavasdi. On the international scene, she curated Underconstruction, Tokyo (2000 - 2002), Politics of Fun at the Haus der Kulturen der Welt, Berlin (2005), and Unreal Asia at the Oberhausen International Short Film Festival (2010), among others. She is a co-founder and instructor of The Alternative Art School, an online platform offering live classes with the world’s best artists and curators, allowing for networking and building up of the global art community. At the new Jim Thompson Art Centre, she aims to create programmes that are more diverse, multidisciplinary and relevant to the current context. For the art scene in Thailand, she hopes to see better developed and visionary cultural policies, a wider engagement with the public, and a less nationalistic focus.

Gridthiya “Jeab” Gaweewong

Friday Future Lister: Gridthiya "Jeab" Gaweewong, an Artistic Director inspiring Thailand’s art scene

Discover how Gridthiya revolutionises Thai art, defies conventions, and cultivates international ties, shaping a socially conscious artistic landscape

Gridthiya “Jeab” Gaweewong, one of Koktail’s Future List 2023 honourees, and the artistic director of the Jim Thompson Art Centre in Bangkok, is an influential figure in Thailand’s art landscape. From her humble beginnings teaching English in a refugee camp to her current role as a curator, Gridthiya has left an impact on the country’s cultural scene.

Photo: Courtesy of Curtain

Project 304

After teaching English at a refugee camp, she earned a master’s in art administration from the School of the Art Institute of Chicago. Co-founding Project 304, an alternative space for contemporary art, marked a significant step in her career. This project, co-founded by Gridthiya, operated as an experimental arts space from 1996 to 2003. A non-profit initiative supporting emerging local artists and stimulating discussions on social, cultural, and political issues. Exhibitions spanned traditional mediums like painting and sculpture to contemporary forms including installations, photography, and video.

A Vision for Thailand’s Art Scene

Gridthiya seeks to emphasise diversity, multi-disciplinarity, and relevance in Thailand’s art scene. Her vision goes beyond gallery spaces, aspiring for better cultural policies, heightened public involvement, and a shift away from narrow nationalism.

Photo: Courtesy of art4d

Curatorial Philosophy: Small Narratives

In her doctoral dissertation, she explored ‘small narratives’ in Thai and Southeast Asian art, focusing on exhibition histories and artworlds. Her research explored artist collectives including Chiang Mai Social Installation. Gridthiya’s curatorial approach highlights grassroots perspectives that defy institutional grand narratives. She advocates for socially engaged art challenging problematic realities, shaping Thai contemporary art.

Social Installation Project

Gridthiya’s involvement in the Chiang Mai Social Installation Project, alongside artist Navin Rawanchaikul, sought to challenge Bangkok’s dominance in Thai contemporary art. By highlighting Chiang Mai’s rich culture and traditional craftsmanship, the project aimed to provide an alternative to the conventional capital city art scene.

Sunthorn Meesri, bot bat sommut (role play), 1993, performance at Tha Pae Gate, Chiang Mai Photo: Courtesy of Uthit Atimana and Gridthiya Gaweewong

Educational Innovation: The Alternative Art School (TAAS)

Against Thailand’s conservative education system, Gridthiya embraced innovation as a faculty member of The Alternative Art School. This online platform, founded to provide affordable and accessible global art education, aimed to break free from traditional constraints.

Creative Partnerships

Gridthiya’s collaboration with filmmaker Apichatpong Weerasethakul led to the co-founding of the Bangkok Experimental Film Festival and numerous other artistic projects. Their connection projects a mutual dedication to support younger artists and filmmakers in Thailand.

Gridthiya cherishes moments spent in artists’ studios, considering it a privilege to understand the environments and ideas that shape their work. This connection enables her to curate exhibitions that showcase aesthetics while integrating political themes. Through various projects and teamwork, Gridthiya contributes to shaping a more dynamic and connected Thai art landscape.

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